At the interface between the photography and dance : movement, body, image

The aim of this study is to propose an answer to the question about what happens, when photography interferes with dance. Marshall McLuhan wrote that the radicalism of the new times begins with the advent of the photography. The petrification a pose of a man in the picture pay particular attention to its subjectivity. The era of the photography became of the era of gestures, facial expressions and dance. The considerations and analysis provided in this work lead to a conclusion, that the photography of dance should be considered as a representation of the body. The photography of dance can constitutes an important element of the evolution of the gender identity.