Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

Tytuł pozycji:

Nástupní přednáška Augusta Gottlieba Meissnera. (Srovnání s K. H. Seibtem, F. A. C. Werthesem, J. J. Haanem, F. F. Wallrafem a E. Schneiderem)

Tytuł:
Nástupní přednáška Augusta Gottlieba Meissnera. (Srovnání s K. H. Seibtem, F. A. C. Werthesem, J. J. Haanem, F. F. Wallrafem a E. Schneiderem)
THE INAUGURAL LECTURE OF AUGUST GOTTLIEB MEISSNER IN COMPARISON WITH THOSE OF K. H. SEIBT, F. A. C. WERTHES, J. J. HAAN, F. F. WALLRAF, AND E. SCHNEIDER
Autorzy:
Hlobil Tomas
Tematy:
AESTHETICS (18TH C.)
INAUGURAL LECTURES
MEISSNER AUGUST GOTTLIEB
PHILOSOPHY
Język:
czeski
Dostawca treści:
CEJSH
Artykuł
  Przejdź do źródła  Link otwiera się w nowym oknie
The article compares the inaugural lecture of August Gottlieb Meissner (1753-1807), Professor of Aesthetics and Classical Literature at Prague, and the first Protestant teacher at the Faculty of Arts in Prague since the Thirty Years' War, with the inaugural lectures of professors of aesthetics, or 'die Schöne Wissenschaften', at universities in the Habsburg Monarchy and at Roman Catholic universities in the Rheinland. (Chairs of Aesthetics were not established at the Protestant universities). The prerequisites for a comparison are particularly good because the inaugural lecture of Meissner's predecessor at Prague, Karl Heinrich Seibt (1730-1806), has survived, as have those of his contemporaries, Professor Friedrich August Clement Werthes (1748-1817) at Pest, Johann Jakob Haan (whose dates of birth and death are unknown) at Trier, Ferdinand Franz Wallraf (1748-1824) at Cologne, and Eulogius Schneider (1756-1794) at Bonn. The aim of the comparison is to examine the conventions according to which professors of the Schöne Wissenschaften and aesthetics wrote their inaugural lectures, and to determine, if at all, how Meissner's lecture differed in these thematic conventions. The analyses demonstrate that the focuses of the inaugural lectures consist in clarifying the usefulness of these two taught fields for the university and society. The subsequent comparison with Meissner's lecture reveals that Meissner did not incorporate even one of the usual topics into his lecture; it appears not to bear a trace of any endeavour to legitimize aesthetics, to explain what the subject was about, what it aimed to achieve, or how it might be useful. His silence about aesthetics (unlike Classical literature, still a new, far from usual discipline) leads one to search for the reasons behind this highly unusual approach. The article concludes with two hypotheses offered in explanation.

Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies