Romana Ingardena “Kilka uwag o sztuce filmowej” w perspektywie dzisiejszej

This article considers the originality of Ingarden’s approach to the cinema with respect to the classical theory of the Seventh Art. Among the philosopher’s observations it brings out in full relief the points of convergence and anticipation with respect to contemporary ideas on the subject of film inspired by inquiries concerning the processes of cognition. The illusion of perceptive flux, the material’s status and the pragmatic function of cinematographic representation, the interactive relation between movie and spectator, diegesis as a cognitive-perceptive structure are the subjects of reflexion considered in Ingarden’s work devoted to moving pictures.