Zwidy, majaki, powidoki czyli meandry postpamięci. Między Dominickiem LaCaprą a Giorgio Agambenem

This paper refers to the phantasm of Poland as an oasis of freedom which functions as a historical doctrine. The text is focused on the exclusivism of the dominant narration and its effects. I consider the most important of these: the repressed trauma of the social object of biopower, displacement and the “acting out” of this trauma, and false memory/identity as the price of “being included in the nation”.