METAPHORS OF INTENSITIES AND INDICES: USING DIGITAL TECHNOLOGIES AND NON-HUMAN ACTORS IN PERFORMING ART

This research investigates the role of non-human actors in the context of digital performing arts. It employs an interdisciplinary approach, integrating philosophical, historical, and artistic perspectives to explore the unique potential of non-human actors. Starting with an in-depth analysis of the philosophical concepts lay out by Deleuze, Bergson, and Tyler, the study establishes a theoretical framework. It then investigates the historical and contemporary artistic movements that have begun to challenge the anthropocentric paradigm in performing arts. The practical application of these theoretical and historical perspectives is illustrated through an examination of three case studies: Leňochod má celkom vážny dôvod sa vykakať [Sloth Has a Pretty Good Reason to Poop], Foam, and Heterotopia [Heterotopy]. These projects leverage extended reality technologies to offer spectators immersive glimpse into the lives and experiences of non-human entities. They employ philosophical concepts such as intensity and indices to test their potential for establishing communication between human and non-human entities. The research concludes by emphasizing the transformative potential of incorporating non-human actors in digital performing arts, suggesting that such a practice can redefine traditional theatre boundaries, challenge human-centric worldviews, and foster empathetic connections across species.