Krytyka myślenia artystycznego

This article is an attempt at systematizing the views on artistic thinking and on the two modes of narrative technique: “image of history” and “history of images.” The adopted concept of criticism aims to extract and highlight what is most relevant at the start of the creative phenomenon of the film making process. It seems that the adopted method, consisting in simplified proofs derived from thought and from philosophical reasoning, may help to truly ground and systematize the concepts connected with film making also as intellectual structures, based on the idea of returning to the true nature of humanism. This approach seems quite risky, yet, however challenging for the author it may be, it also seems crucial from the point of view of organizing the knowledge of those studying the film arts.