Авторство в кіно: проблема самореалізації

The article deals with the phenomenon of authorship in Ukrainian cinema, its ideological principles, creative guidelines. The researcher examines young Ukrainian film directors, their relevance, figurative composition, expressive means. In this article the authors analyze the modern interpretation of essential traits of such notions, as “outlook”, “harmony”, “person”, “self-realization”, “spirituality”. While working on the subject, author used the methods of scientific analysis, synthesis, comparison.The researcher concludes that Ukrainian artists who position themselves as writers sometimes substitute possession craft, complicating cinematic language, while only simulating experiment as a sign of creative authorship. The article expresses the belief that the modern Ukrainian cinema is a significant creative potential realization of the author’s identity.