Particular art. On the artistic work of Łukasz Surowiec

Based on an analysis of the works of Łukasz Surowiec, demonstrated at the exhibition Dziady (2013) in The Bunkier Sztuki Gallery in Cracow, the author examines the ways in which Surowiec's art interferes with the realm of political. She draws on the concepts of Jacques Ranciere's le partage du sensible and Andrzej Turowski's particular art to point on some innovative strategies the artist uses in order to subvert the existing, stabilized visual regimes of homelessness and social exclusion. The aim of this article is to answer the question, if and how the work of Surowiec contributes to a political change.