Od upadku Muru Berlinskiego do pierwszego Pawilonu Romskiego na weneckim Biennale – od swiata Agnes Daroczi do swiata Daniela Bakera

The author presents the evolution of the attitude towards the art of Roma artists, who in the past were often perceived as representatives of a folk art, and who are now professional artists whose work often does not have any connection with the ethnicity of their authors. The author critically analyses the concept of authenticity in art by pointing out the presence of diverse aesthetic traditions in the works of Roma artists and concludes that the ethnicity of an artist is unimportant and the contemporary generation of Roma artists has escaped the stigma of an ethnic art.