Some Patterns of the ‘Murdered Sweetheart Ballads’ in Oral Tradition, Early Recordings, and Popular Culture

Narrative songs with regards to the theme called ‘murdered sweetheart”, are part of a wider repertoire of murder ballads that circulated in England, Scotland, Ireland, and North America. It is through these Murdered Sweetheart Ballads (cf. Wilgus 1979), that the balladeer informed the listeners about the tragic consequences of non-standard behavior in certain social contexts, such as: pregnancy out of wedlock in patriarchal communities. Murder ballads that contain specific references to facts which occurred in real life (such as the representative case of the assassination of Naomi Wise in Randolph County, back in 1808) passed mainly (through not only) in oral music contexts; despite the transient nature of the singing itself, the meanings behind certain verbal expressions were transmitted and finally preserved in sound recordings released from the early twentieth century onwards. These traditional patterns, that are related to the controversial imagery of women murdered by men and developed in both oral and written traditions, were gradually revised, transposed, and reinterpreted in popular culture by musicians who were engaged within the recording industry as well as filmmakers—each applying their own understanding with regards to this sensitive subject.