HASPRA'S ENCOUNTERS WITH TAYOVSKY'S 'ZENSKY ZÁKON' (THE FEMALE RULE)

A theatrical critic and theorist Elena Knopova continues in researching the issue of Haspra's stagings of Tayovsky's 'Zensky Zakon' (The Female Rule). She states that in Haspra's staging genesis of Tayovsky plays, a significant interpretation shift occurs when considering the first and the last staging of 'Zensky Zakon' (The Female Rule). By analyzing of three Haspra's encounters with the identical dramatic text, she is documenting internal advancing of the director's view on the classical drama, and is also investigating the social conditions which made Haspra reacted by changing of poetics.