K některým otázkám etnochoreologického studia: tanec, gender a politika

The contribution presents a theoretical definition of the dance anthropological study aimed at the issue of gender and social and political aspects. The above is based on post-structuralist tendencies and especially on possible semiotic analysis. The comprehension of dance expression as a symbol (which can be understood only if beany a part of so-called performance) and the reference to its multi-dimensionality have become a significant point of the study. Dance as a visual expression significantly contributes to the study of gender relations, especially because of the gender performativity whose essence is created by repeated and ritualized acts and gender body stylizations. There is pointed out the fact that dance disposes of unique power thanks to which it can support and change the existing social and political structure simultaneously. In this sense, there is developed the possibility to use the dance as a symbol of national identity whereby the deliberate manipulation with this symbol is an essential element. The manipulation then becomes an efficient weapon in reaching the political goals. Important remains the fact that the dance as a clearly visible (and audible) hallmark improved by the entertainment experience is - in this case - a suitable mean of expression, which can be understandable for the widest social groups within the given culture.