Implikacja muzyki i tekstu w Offertoria et communions totius anni Mikolaja Zielenskiego

The author of the paper is trying to capture the dependencies between the word and the music in the work Offertoria et communiones by Mikolaj Zielenski. The theory of musical affects and rhetorical figures (wildly known in the 16th century) laid at the basis of Zielenski's compositions. There were also many other factors which played a significant role in the composer's work. Among them was undoubtedly a secret of the composer's sensibility.