Mniej znaczy dość. Kultura umiaru na konceptualnych plenerach artystycznych w Polsce lat siedemdziesiątych

The aim of this text is to analyse the conceptual plein-air convention of the 1970s as an example of practising moderation in the history of Polish culture. Conceptual plein-air meetings are shown as a great example of moderate artistic activity as well as an inspiration for creating and developing the idea of a moderate and good life in the present times. The first section of the article places the latter in the context of a broader debate on the climate crisis while calling for degrowth and moderation. The second part presents the artistic and social context of conceptual plein-air convention, highlighting the links between the limits to growth, criticism of development and technical advancement, and conceptual art. The third section analyses conceptual plein-air convention as a scenario for reflection on moderation and its practising in artistic creation. It also discusses the relevant – moderate – aspects of the 1971 Plein-Air Convention in the Zgorzelec Land and the 1972 Plein-Air Convention in Osieki, Poland. The authors conclude by emphasising the usability of the conceptual plein-air model as a tool for learning and practising the culture of moderation in modern times.