Tytuł pozycji:
Cyrk i polityka w dwóch filmach Dušana Makavejeva
Dušan Makavejev is a politically engaged director – most of his films have
a critical message against the prevailing ideology. In this message, thematic and
stylistic references to the circus art often play a key role. Makavejev gives circus the
meaning of an ironically ambiguous political allegory. Such a relationship between
politics and circus can be seen best in his feature debut Man Is Not a Bird (1965)
and in his feature-length documentary essay Innocence Unprotected (1968).