I formàcia e rromane identitetaqëri thaj i globalizàcia e homiliaqëri pal-o Samudaripen

Natalia Gancarz

O avtòro teorisarel adaj save politikane implikàcie anel o ćhudipen e Rromenqëro anda jekh buxles globalisardi homilìa pal-o Samudaripen (kaj si ćhudine khetane savorre lesqëre viktìme). Astarel bàza p-i analìza e savaxtune ekspoziaqëri pal-o Samudaripen e Evropaqëre Rromenqëro, savi arakhlǒl and-o Themìtko Muzeum Auschwitz-Birkenau. Madikh so o Muzeum, sikavindor dokumentàcia pal-o Samudaripen e Rromenqëro, aresel te anel paśpaśe sar nivèli e Rromen aj e Ʒuten, viktìme e nacismesqëre, o van Baar duślǎrel so, khrigal akava laćhipen, aćhon bisterde sa o diskriminàcie, so dukhavde e Rromen angl-o maripen aj pal-o maripen, thaj odolesθär na sikavdǒl ćaćitkones i artikulàcia e diferencenqëri maśkär-o Històrie jekhe rigaθe e Rromenqëri aj javëre rigaθe e Ʒutenqëri, sar vi o diferènce maśkär-i baxtbibaxt e ververe rromane endajenqëri and-i Evròpa.

This essay theorizes the political implications of the Roma’s inclusion within a globalized holocaust discourse through an analysis of the permanent exhibition on the extermination of the European Roma located at the Auschwitz-Birkenau State Museum. Although by providing a documentary account of the Romani genocide the museum may succeed in establishing a more equal standing with the Jewish victims of Nazism, van Baar argues that this advance is predicated on the exclusion of references to discrimination suffered by the Roma in the pre- and postwar periods and thus on the non-articulation of the differences between Romani and Jewish history as well as between the histories of diverse Romani groups in Europe.