Wizerunek Araba w kinie głównego nurtu na podstawie filmowej figury szejka

The main task of this article is a brief presentation of the evolution of the sheikh figure in Hollywood, mainstream cinema. From silent cinema and creations of Rudolf Valentino as an oriental lover, the author analyzes changes and transformation of the sheikh character in western cinematography and specifically focuses on the perception of Arabs and Muslims in a frame of desert romance movies. The paper examines characteristic features of sheikh film figure and presents a typology of his various attributes.