Perspektywa feministyczna w teorii i analizach filmowych

The article points to a feminist approach to the cinema and filmmaking which has been elaborated and evaluated ever since the early 1970s. Its aim is to present a huge variety of theoretical refl ections on cinema which give voice to feminist, gender or queer methodology and interpretations. By emphasizing the question of women’s expression cinema, I am trying to show how diverse and differentiated the feminist fi lm theory can be, in terms of its issue, way of argumentation and theoretical contexts.